Grecian Remains in Italy, a description of Cyclopian Walls, and of Roman Antiquities with Topographical and Picturesque Views of Ancient Latium.
Author and artist John Izard Middleton (1785-1849) was the son of Arthur Middleton, a signer of the Declaration of Independence. He spent much of his adult life traveling in France and Italy where, like many contemporary travelers, he sketched extensively. His careful depictions of ancient ruins established him as one of America's first Classical archaeologists.
Middleton deserves more credit as a topographical artist than he has received. A number of his drawings turned up without attribution in other books, notably those of the more famous Edward Dodwell, with whom our author travelled and whose "Views in Greece" and "Tour through Greece" were substantial and well received publications.
This is a masterwork of aquatint engraving notable for the beauty and precision of its depictions of ancient Greek and Roman ruins in Italy. The plates are visually impressive-the three double-page images especially so-showing to good advantage architectural ruins, Italian towns, and surrounding landscapes, often in the form of memorable vistas.
+ Read More
This copy of "Grecian Remains" is a first edition, but it's more complicated than that. The book was originally issued in parts over a period of nine years (probably during 1811-1812 and in 1819), with the title page (as here) dated 1812. The plates themselves were issued in 1818 or later, and then combined with the separately printed installments of text. In our copy, the paper on which the text is printed is watermarked 1805 for parts I-III, and 1818 for parts IV-VII, surely indicating that the letterpress here represents the original parts. All but one of our plates are on paper watermarked 1818 (our later plate being dated 1823). Abbey's copy had watermarks identical to ours.
Whatever the dates of the paper they were printed on, our plates are clear, sharp, and beautifully colored. The present copy is remarkable in that the fatal offsetting from text onto plates, which mars the vast majority of otherwise beautiful color plate books, is virtually absent here. This is a masterwork of aquatint engraving notable for the beauty and precision of its depictions of ancient Greek and Roman ruins in Italy. The plates are visually impressive-the three double-page images especially so-showing to good advantage architectural ruins, Italian towns, and surrounding landscapes, often in the form of memorable vistas.
25 illustrations by M. Dubourg after Middleton, Philip Giuntotardi, and others. 23 of them are hand-colored aquatint plates (3 double page) and two are simpler plain line engravings.
480 x 335 mm. (19 x 13"). 1 p.l. (title), 50 pp. (plus plates). (Collation matching Abbey and Tooley.)
Abbey Travel 165; Tooley 328; Prideaux 234 & 344; Bobins 591. Avery Architectural Library, p. 666.
List of Images
1. Title Page
2. A view of Rome from Monte Mario
3. View from the summit of Monte Cavo
4. Continuation of the View from the summit of Monte Cavo
5. View of an Ancient Tomb near the Scite of Bovilloe
6. Albano from the Road to the Lake
7. Lake of Albano (1st View)
8. Lake of Albano (2nd View)
9. View from the Grotto of the Convent of the Capuchins at Albano
10. Ancient Tomb in the Garden at Pallazuola
11. Emissary of the Lake of Nemi
12. Nymphoeum on the Borders of the Lake of Albano
13. Lake of Giuliano
14. General view of the Town of Cora
15. Remains of the Temple of Hercules at Cora
16. General view of the Scite of the ancient City of Norba
17. Ruins of the Town of Nympha
18. Exterior of the Great Cyclopian Gate at Norba
19. Pointed Cyclopian Gate at Segni
20. A Cyclopian Gate at Segni
21. Exterior view of the Porta San Pietro at Alatri
22. Exterior of the Great Cyclopian Gate of the Ancient Citadel of Alatri
23. Interior of the Great Cyclopian Gate of the Citadel of Alatri
24. Small Cyclopian Gate of the Citadel of Alatri
25. Ruins Plate A
26. Ruins Plate B